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Under the musical direction of JW Roy with texts by writer and columnist Bert Wagendorp, a group of musicians and writers come up with a book and CD about the seven-time Tour winner, who previously defeated cancer and eventually had to hand in his yellow jerseys due to doping use.\u003c\/p\u003e\n\n \u003cp\u003eIt is the story of a cycling Faust who sold his soul to the devil. The story of Icarus who flew to the sun, until he lost his wings and crashed. A real rock opera, recorded in Kantine Walhalla on Katendrecht in Rotterdam under the musical direction of JW Roy with vocalists Lea Kliphuis, Frank Lammers, Rick de Leeuw, Guus Meeuwis and Alex Roeka, accompanied by the Lance band (Cok van Vuuren - guitar, Reyer Zwart - bass, Jan Hautekiet - keys and Jeroen Kleijn - drums). The album tells the story of the rise and fall of Lance Armstrong in fourteen songs.\u003c\/p\u003e\n\n\u003cp\u003e The music for Lance, the Rock Opera was mostly written by JW Roy. 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A pleasant wind blows through the tracks, once again produced by his hero Jason Falkner.\u003c\/p\u003e\n\n\u003cp\u003e The result is an album about freedom. Pyjama Days is the story of someone who has come home after many wanderings to tell people what can be found in the world. Love, sadness, loneliness, strength, everything, if you just look closely. He hands us his flowers and says: 'Have the courage to go out and take a tram you've never taken before.'\u003c\/p\u003e\n\n \u003cp\u003eBent will play the work from the new album for the first time with the band on May 8 at Here Comes The Summer, the spring edition of Into The Great Wide Open on Vlieland. On June 10, he will present the album in TivoliVredenburg, Utrecht.\u003c\/p\u003e\n\n\u003cp\u003e * Bent Van Looy has a hard time concentrating on one thing and gets involved in painting, TV work and even his own radio show with live animals on Studio Brussel. Bent is involved with the prestigious French fashion label Le Mont St Michel with his own label The Jante Law. He also designs the label for the wine Cuvée BVL. He works musically with the Swede Peter Von Poehl, the French Chateau Marmont and also remains active as a drummer with his childhood friends Soulwax.\u003c\/p\u003e\n\n \u003cp\u003eHe becomes a coach at The Voice of Flanders (2014 and 2016) and takes the TV viewer along on his walks in various cities during the section The Walker for Café Corsari. The Belgian version of Paddington Bear is also given the voice of Bent Van Looy. For Klara he delves into the two most recent editions of The Original Soundtrack in French \u0026amp; English film music. 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Robert-Jan Kanis (vocals-guitar), Arnold Lasseur (vocals-mandolin-guitar-violin-dobro), Aart Schroevers (vocals-double bass) and Bart van Strien (vocals-banjo-harmonica-violin) have toured not only the Netherlands, but all over Europe and America over the past twenty-five years. They have shared the stages with various greats from bluegrass and country music and have already released four albums. The fact that they have been on the road for twenty-five years naturally calls for something special to celebrate. The choice was made for an album, for which the Boogiemen invited various well-known Dutch colleagues to \"bluegrass\" their own song. It has become an impressive and eclectic list of guest vocalists, including Freek de Jonge, Tim Knol, Ernst Jansz, Bennie Jolink, Blaudzun and Dave von Raven. 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While the debut was also an ode to pioneers like Sister Rosette Tharpe, The Gospel Sessions now stands on the shoulders of Sam Cooke \u0026amp; The Soul Stirrers and the Womack Brothers, for example. The beautifully arranged 'Carry On' is a good example of that.\u003cbr\u003e . \u003cbr\u003eThe cheering and clinking that was missing on that album returned in the glowing reviews and the ecstatic reactions of the sometimes frenzied audience in the halls, churches and at the festivals where they played. 'Grandiose', Oor judged. 'Het Woord has become Rock 'n Roll', the Leeuwarder Courant cheered. 'Album of the year', the listeners of NPO Radio 6 thought.\u003c\/p\u003e\n\n \u003cp\u003eVolume 2 is not only richer musically, it has also become even more Michelle David's album. It contains songs that are part of her life, such as the adapted traditional 'Tradewinds'. 'My first solo in church', recalls David, who was born in North Carolina and raised in New York. 'I was five years old. It suddenly came back to me during the recording session for the second album. I hadn't thought about it for years, but I sang it again.' The modest 'There's a Place', an original, is an ode to the aunt who raised her. 'I heard the melody and started improvising. The words came naturally, I wrote it in a few minutes.' The live-recorded, toe-sung 'Baptized' is the account of Michelle's baptism in the Atlantic Ocean. And there were more songs that were so mature that they only needed to be picked. 'I don't know what Onno and Paul do to me, but during the sessions we do it's like they can look through a hatch into my head, it's magical.'\u003c\/p\u003e\n\n \u003cp\u003eEvangelizing isn't the goal of The Gospel Sessions, \"but the best compliment I ever got after a show was from someone who said, 'You're making it hard for me to be an atheist,'\" Michelle chuckles.\u003cbr\u003e Gospel is powerful music, in many ways. It is music that can lift, that can impact. 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Cobb goes for tension and excitement and together we were able to capture the magic of first and second takes on what is without a doubt our most dangerous record ever. For that reason alone, this is the best thing we have ever made.\"\u003c\/p\u003e\n\n \u003cp\u003eThe sound is classic, distorted and analogue and is entirely at the service of the short, energetic songs, most of which are influenced in both attitude and sound by classic bands such as the MC5, Stooges and Yardbirds.\u003c\/p\u003e\n\n\u003cp\u003e The release of the third studio album comes two years after the enthusiastically received 'Roslyn' (February 2014), which earned The Sore Losers 2 MIA nominations and concerts at Pukkelpop and Rock Werchter.\u003c\/p\u003e\n\n\u003cp\u003e The Sore Losers was founded in 2009 and is a 4-piece rock band consisting of Jan Straetemans (vocals\/guitar), Cedric Maes (guitar), Kevin Maenen (bass) and Alessio Di Turi (drums). 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It's not that the band took their time, but \u003cem\u003elife got in the way\u003c\/em\u003e ; from babies to Oscar nominations and other musical paths that crossed the band from Amsterdam to Vancouver. On February 12th, the third album will finally be released, simply called El Pino and The Volunteers.\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan\u003e'After The Long-lost Art of Becoming Invisible we decided to make time for excursions to come up with new musical ideas', says David Pino. 'Job Roggeveen's Happy Camper for example, which we performed live and which was so well received that it not only resulted in a great tour in the Netherlands and Indonesia, but also an Edison Award and a second Happy Camper record'. In the meantime David Pino recorded an album with Marien Dorleijn (Moss) in a cold Canadian log cabin that was released under the name TIKA, which of course also had to be toured. 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And those who are familiar with Lea Kliphuis know that the influences of Lucinda Williams, Bruce Springsteen, Gillian Welch and Ryan Adams can also be found. And after the beautiful piano number Remember Me, a female choir can be heard on the bonus number Oh Boy with the voices of Ricky Koole, Stevie Ann, Anna de Beus and Fenna van Zwieten.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eLea Kliphuis represents a unique sound in Dutch music. 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The group split up a few years later, partly due to Vanthilt's departure to London where he presents for MTV Europe. A return follows in 1990 with the album Des Duivels Oorkussen and Methode Champenoise in '94.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThen it remains quiet for a long time. 2015 brings the true reawakening: a completely new album, released by Excelsior Recordings. Van Acker, Vanroelen \u0026amp; Vanthilt return to the core: biting rhythm tracks, pumping grooves, sharp guitars and pointed lyrics. Newwave anno 2015!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eArne 'Styrofoam' Van Petegem produced the album Slik, the first in 21 years. Musically a return to the core: biting rhythms, pumping grooves, sharp guitars, screeching sax and pointed lyrics. The new album will be released (digital, cd \u0026amp; vinyl) on October 30th. 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'You never quite get to the core, but you can keep trying to get closer. What I do is almost shameless. I am my own material.' He approaches the truth ever closer. From the love that has deteriorated into routine in 'Samen Alleen' ('alienated and entangled'), to the stunningly beautiful Still Always Together, about a past love. In the search for what life has done to him, Alex Roeka now allows himself mild irony - 'That I sing beautifully, everyone now knows' (Ik Wil Leven). Or: 'Laugh at me when I'm raging again\/ about life on the street' (Naar Mezelf Terug).\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eIt seems as if the black and sometimes heavy vitalism of Roeka's earlier work is gradually making way for a lighter, more optimistic tone. As if, as he understands life better, he also enjoys it more. 'The world is old and worn out\/ but life is still youthful and strong' (Vrolijk Ochtendlied). He can make do with smaller words, his pen has become milder. 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God knows what was still hip at the time, but not Hallo Venray.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eTen years later, Vegetables \u0026amp; Fruit is considered a Nederrock classic, reason for XLCR to give the album a nice reissue. On vinyl too, for the first time. And the band, which fortunately still consists of Henk Koorn, Peter Konings and Henk Jonkers, will hit the road this fall to play the album in its entirety.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003e'Perfectly sensitive' was the headline in Muziekblad OOR's review ten years ago: \"Is this perfect beauty or unhurried pop for softies? Again, both are correct. Listen to songs like Weirdo, Same Feeling and the My Morning Jacket-like Holy alone in a quiet room and a whole new world will open up for you. Or have you already been converted?\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eDe Volkskrant wrote: \"It may well be the most beautiful Hallo Venray album, on which gritty rockers (Kicking) and beautiful little songs (Same Feeling, Piling It Up) alternate. And how beautifully fragile those crumpled vocals of Henk Koorn sound on this honestly warm-sounding album. We definitely have to listen to it live.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eHenk Koorn about the reissue: “We will play the record in its entirety during ten exclusive shows. Due to the amount of the Hallo Venray repertoire (13 records), many of those songs are no longer played. 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With the new EP, which will be released on CD and vinyl (10\"), Danny can be seen in theaters from September.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eThe first part of The New Black \u0026amp; White was well received. In the studio of Frans Hagenaars, Danny Vera chose a different approach; In a small band formation he played a number of new numbers. Sometimes on his own, then with his in twos or threes. A single track turned out to be a direct hit after the first take.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eDanny: “Playing everything live, without headphones. Awesome! Recording like in the old days, but with today’s technology… The New Black \u0026amp; White”.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eEarlier this year he played the tracks of The New Black \u0026amp; White in the theaters with a show with the same title. A reprise will follow this from September and with it the second part of the record. Danny: \"I thought it was nice to make a diptych, because the theater show also consists of 2 parts. Before and after the break\".\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eDanny Vera still had a few songs he wanted to record. Expandable Time is a catchy love song and Best Days of my life is about growing old and the world of today. Leavin' by Don Williams is a track his father used to listen to and sing: “Years later we often sang it together when I had to play somewhere and my father happened to be there. It is also part of the stories of the theater show.”\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eA few years ago, Danny covered Russian Roulette by Rihanna in Giel Beelen's show: \"The song is beautiful and has always stuck with me. I had to record it myself one day.\" The same goes for Too Much Love Will Kill You by Queen: \"I thought this song would lend itself perfectly to a stripped-down version. Just me and a guitar. 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For their third album, the band was inspired by Surf Nuggets, obscure Rockabilly, Exotica, Ethio-funk grooves and straight forward high energy Rock \u0026amp; Roll, as evidenced by the first track Sally The Shape.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eBeans \u0026amp; Fatback found inspiration for Heroine Lovestruck in Rita Hayworth's role as the classic Femme Fatale in the film Gilda. During the atomic tests on Bikini Atoll (what's in a name?) right after World War II, in one of the most beautiful places on earth, her name and picture were on the most destructive weapon ever made. The theme of beauty and destruction combined with the classic 40s bombshells has become the binding factor of the record.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eHeroine Lovestruck was recorded at the Electric Monkey Studios in Amsterdam, where the band had an arsenal of vintage gear at their disposal. Onno Smit \u0026amp; Paul Willemsen produced the record. Tonmeister Peter Schmidt mixed the tracks in Berlin, after which the album went to Nashville to be mastered by Bob Olhsson.\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eBeans \u0026amp; Fatback presents 'Heroine Lovestruck', in stores from September 11th, on October 1st in Paradiso Amsterdam.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eWith their previous album, With Skin Attached, Beans \u0026amp; Fatback played to sold-out venues on their Dutch club tour and convinced at festivals such as Lowlands, Zwarte Cross, Where The Wild Things Are, Eurosonic Noorderslag, Welcome To The Village and Oerol. In addition, the music from that album was frequently heard in domestic and foreign films and TV series, such as the Dutch film Soof and American TV and Netflix series Suits, Shameless, Hemlock Grove, Necessary Roughness, Graceland and Parenthood.\u003c\/span\u003e","brand":"Beans And Fatback","offers":[{"title":"lp + cd","offer_id":39514228490435,"sku":"EXCEL96435","price":9.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":30966731147,"sku":"EXCEL96437","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/excel96435_met_sticker_HR.jpg?v=1494422358"},{"product_id":"bewilder-dear-island","title":"Bewilder - Dear Island","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBewilder refers to the word 'wilderness', a state that singer Maurits Westerik was in about two years ago. He had mountains of ideas and stacks of songs. Friends to whom he showed them immediately suggested that they work on it as a band. The band left for Excelsior's country house on Vlieland, where the band first recorded demos with producer Henk Jonkers (Hallo Venray) and later worked on a full album. Bewilder the band. Dear Island the record.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eDear Island is full of unexpected twists, you never know in advance how it will end. That also fits well with the Twin Peaks tic that all band members share, and that is expressed musically in the sometimes softly sloping synthesizer parts of Arjen de Bock. As if soundtrack composer Angelo Badalamenti is peeking over his shoulder. The other band members, drummer Bram Hakkens, bassist Jeroen Overman and guitarist Arjan Kamphuis add the elements of swing and rock to the intriguing tension arc.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eBewilder songs are of a groovy, captivating indie style. For the country-like She Keeps on Talking they take a quiet dune path. The songs never end the way they started. 'They are as ominous as the first sip of your favourite cocktail. It feels familiar, but it just ends a little differently,' Westerik explains. 'To date, we have not done 1 show the same.' It always remains exciting. And if not, producer Jonkers makes sure of that. For the folky, magnificent ballad So It Goes he sends Westerik out of the studio to sing the song in another room in order to avoid eye contact with the band. That audibly creates extra excitement. Once, on the track Tied Up, he even plays the bass. The regular bassist can't be bothered, because at that moment he doesn't know it well enough. In order to be able to play it, you have to know how it will end, and you never know that with Bewilder. Things like that!\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eBewilder's music can also be captured beautifully in images. In 2014, the track Safe, built on a funky guitar riff, was already released to the public as powerful background music for a short documentary about sustainable transport by sea to the Into The Great Wide Open festival on Vlieland. In March 2015, the atmospheric video for So It Goes suddenly appeared, followed by a video shot by Westerik himself for Carry On, Carry On in June 2015.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003ePast performance does indeed offer a guarantee for the future. Especially if that prospect lies in Bewilder, a new band with familiar faces. They have already made many miles separately in recent years. But okay, let's look ahead. Dear Island was released on Excelsior Recordings on August 28 and Bewilder christened the album, appropriately enough, Into The Great Wide Open on Vlieland. Dear Island entered high in the Album Top 100, even at number 1 in the Vinyl Top 50. Bewilder is also played a lot on Radio 2 and 3FM and the album receives particularly good reviews. We conclude with Gijsbert Kamer of Volkskrant: 'It has been a long time since such a strong, varied rock album as Dear Island was released in the Netherlands.'\u003c\/span\u003e","brand":"Bewilder","offers":[{"title":"lp + cd","offer_id":39514228457667,"sku":"EXCEL96433","price":9.0,"currency_code":"EUR","in_stock":false},{"title":"CD","offer_id":30966908107,"sku":"EXCEL96434","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/bewilder_dearisland_packshot.jpg?v=1494422095"},{"product_id":"electric-tears-dazzling-highs-to-crushing-lows","title":"Electric Tears - Dazzling Highs to Crushing Lows","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eAfter playing in punk bands for ten years, ex-Johanman Niels de Wit decided in 2011 that it was time to show his melodic side again. He recruited fellow bartender Bas de Vries and barmaid Els van Tol from his local pub in Hoorn, and after five rehearsals, the first performance took place in that same local pub, closely followed by the self-recorded and released single Bloodshed Eyes \/ Don't Ask Me Why: two times two minutes of catchy power pop that made many noses turn in their direction and brought about comparisons with Squeeze, Reigning Sound and Sandy Coast.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eElectric Tears plays Noorderslag in 2013 and Excelsior is on the phone; whether the gentlemen and lady want to make an LP. They decide to make something else first, namely kilometers. After having crisscrossed the country for two years, the band, now a well-oiled rock machine, records its debut in two days in the studio of Frans Hagenaars. \"Can it be a bit softer?\" comes the sound from the adjacent Excelsior office where the cups on the table vibrate. Yes, it can be softer - as the band shows in the ballads Forget Tomorrow and Blast Away - but for the rest it is hard, fast, short and catchy again; twelve songs in 33:33. 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Only: they knew that abroad, not here. In fifteen years they toured all over the world, recorded an album with Dave Gonzales of The Paladins, and Mark Lamarr (BBC, Never Mind The Buzzcocks) counts himself among their biggest fans. In 2012 the adventure ended and the three gentlemen each went their own way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAnd now four years later the best of album The Various Sounds Of T-99 is released by Excelsior Recordings and a tour follows along the most beautiful clubs and festivals in the Netherlands. 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For the albums In Another Life (2009) and Anne Soldaat (2012), the singer and guitarist went to Los Angeles to record his work with Jason Falkner (Beck, Air, Daniel Johnston). For his third album, he stayed close to home. Recorded in Amsterdam (Volkshotel and Studio Sound Enterprise Noord) and more subdued and acoustic than people are used to from him.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eSoldaat played almost all the instruments himself. Here and there accompanied by harp and string quartet with arrangements by Reyer Zwart. 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The Miseries, garage punk band and side project of Tim Knol, is already a great success. While that was not at all the expectation when the men went into the studio hungover.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThe result of those first recordings was released in the fall of 2013 on Tender Records, Tim Knol's own vinyl label. The band got a taste for it and made their stage debut at Oerol. \"We don't want to think too much about a plan, just make good music and play a lot,\" says drummer Kees Schaper. After surprising friend and foe with their show at Into The Great Wide Open, a club tour followed and The Miseries played five shows at Eurosonic-Noorderslag. Not without unqualified success. The band is carefully taking steps abroad, with the most important feat being a trip to America where the band will play at SXSW in March.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eIn the meantime, they recorded their self-titled debut album in the MI5 Studios in Hoorn. Twelve songs in thirty minutes. An album that is reminiscent of their heroes, whether they are The Saints, Pavement, The Buzzcocks or The Ramones. “We make songs without concessions and only do what we want ourselves. That makes it a versatile album, with strong melodies and energy as a connecting factor,” says Tim Knol, singer and guitarist. Just like Knol's solo albums, the album will be released on Excelsior Recordings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAn idea that got out of hand in a pub seems to slowly turn into a musician's dream: making good music with three friends and playing it all over the world. 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Hypnophobia is the sequel to the globally acclaimed debut Cabinet of Curiosities from 2013.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eFantasy and reality came together in Gardner's Shadow Shoppe Studio, in the middle of an industrial estate in the village of Zwaag (near Hoorn), where Hypnophobia was recorded in its entirety and Gardner himself plays all the instruments, except the drums. Hypnophobia is a journey of discovery of Gardner's new love of travelling combined with his ongoing passion for collecting and playing old instruments. On the album you can hear a Wurlitzer waltzing next to mellotrons, harpsichords, an Optigan and an antique Steinway piano. 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Alamo Race Track built their own studio in a warehouse on the outskirts of Amsterdam to work on their fourth album for a year. The result, recorded in SSE Noord with producer Frans Hagenaars, is more than ever a band record. Hawks is an album that the group worked on together from start to finish, making it their most versatile and profound work to date.\u003c\/div\u003e\n\n\u003cbr\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Alamo Race Track","offers":[{"title":"CD","offer_id":30966531787,"sku":"EXCEL96410","price":8.0,"currency_code":"EUR","in_stock":true},{"title":"lp + cd","offer_id":39514228195523,"sku":"EXCEL96409","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/alamoracetrack_hawks_packshot.jpg?v=1494423952"},{"product_id":"zzz-juggernaut","title":"zZz - Juggernaut","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eIt's been 5 years since zZz's last album. But Bjorn Ottenheim and Daan Schinkel are back with Juggernaut. An album with more Kraut influences and more space than before, but still unmistakably zZz (pronounced: Jazz, without the Ja).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe band made an impression in 2005 with their debut Sound of zZz. First single Ecstasy was widely used in international games, films and series (from GTA to Phileine Zegt Sorry and CSI), the album was released worldwide and the band toured from America to Russia and Japan at festivals such as Benicassim and Glastonbury. With the successor Running With The Beast the train continued unabated. From a five-star review in the Volkskrant, four stars in the British Mojo to album of the year in the Russian Rolling Stone.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eThe tandem drum and organ setup has been the same for 10 years, but the sound has definitely evolved. Earlier comparisons with a trippy version of The Doors have given way to Krautrock-oriented jams with influences from Neu!, Can and Kraftwerk. Jam sessions have been reduced to four-minute tracks or to the 20-minute Kraut epic of title track Juggernaut.\u003c\/span\u003e","brand":"Zzz","offers":[{"title":"CD","offer_id":30691034699,"sku":"EXCEL96415","price":8.0,"currency_code":"EUR","in_stock":true},{"title":"lp","offer_id":39514228097219,"sku":"EXCEL96414","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/excel96415_hr.jpg?v=1494424015"},{"product_id":"michelle-david-the-gospel-sessions-vol-1","title":"Michelle David - The Gospel Sessions Vol. 1","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"What would happen if we took Gospel apart?\" That was the question Onno Smit and Paul Willemsen asked themselves. Not to detract from the genre, but to try to avoid all clichés. How many songs would be left? Onno and Paul, seasoned with their bands like Beans \u0026amp; Fatback and Lefties Soul Connection, found in Michelle David the singer for their search for the cradle of soul.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eAmerican Michelle David, born in North Carolina and raised in New York, sang in church from the age of four and a year later with her first gospel group, The Mission of Love. But Michelle was not immediately enthusiastic about The Gospel Sessions. She wanted to distance herself from the Gospel and leave it to those who were eager to save souls.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eAfter some insistence and a few trial sessions, the concept for the record became clearer to her and she agreed to make this record. Back to the origin and essence of why this music is so attractive, but with a new approach. Throw away what is superfluous and see what remains. So no Hammond organ where you would expect it, no choir where you do hear it and limit the handclaps to a minimum. Away with the many chords; One guitar riff often says more than a whole series of chord changes. The power lies in the repetition.\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e\u003cspan\u003eExcept for two songs, The Gospel Sessions Vol.1 is a bass guitar-less record. The emphasis is on the groove of the guitars and the rudimentary percussion rhythms of Toon Oomen. In this style, the record takes you from the Caribbean (There's A Light) to New Orleans (I want To Know), on to Mali in West Africa (Made It Over) and to the Mississippi Delta Blues (Can't no Grave).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe Gospel Sessions Vol.1 was recorded and recorded live in one day at The Electric Monkey studios in Amsterdam with Kasper Frenkel behind the controls.\u003c\/span\u003e","brand":"Michelle David \u0026 The Gospel Sessions","offers":[{"title":"CD","offer_id":30691052939,"sku":"EXCEL96428","price":8.0,"currency_code":"EUR","in_stock":true},{"title":"lp","offer_id":30968380235,"sku":"EXCEL96398","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/excel96398_gospel-sessions.jpg?v=1494424078"},{"product_id":"douglas-firs-the-long-answer-is-no","title":"Douglas Firs - The Long Answer Is No","description":"\u003cmeta charset=\"utf-8\"\u003e Second album by Belgian Gertjan Van Hellemont and his band, and still their most rootsy to date. 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Driven by their love for energetic 70's punk and heartbreaking power pop, they decided to travel the country as a band, with Iggy Pop, T-Rex and King Tuff in the CD player. Lyrics about failing in the discotheque, tree house building bankers, fashion label Gucci and drowning self-righteous singer-songwriters. That makes the boys happy. On stage they play themselves against the cliffs of hell and outside they are happy to help your mother with the groceries.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eTake the joy of your childhood, mix it with the nihilism of your adolescence and you get Afterpartees. 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Danny met Kris Berry at that same programme and asked her to sing along on a song by The Everly Brothers.\u003c\/p\u003e\n\n \u003cp\u003eThe album was again recorded under the inspiring leadership of Frans Hagenaars in SSE Noord, but now in the style in which it was also done in the past. \"So I was in the same room with Reyer Zwart (bass\/piano) and Benny Bakker (drums) without headphones and we really played at each other's volume.\" For example, the first take of the song 'You', the very first time Danny (guitar) and Reyer (piano) played it together, turned out to be the right one. The EP contains a total of 6 songs. 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And yes, Sam Valkenborgh still writes fantastic songs with just the right amount of barbs. And no, the new Kvraagetaan will be for another time.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eAnd yes, a few things have changed. The field line-up, for example. Sam Valkenborgh moves to bass, newcomer Mike Engels (Freestyle Fabrik) fills in on guitar. The other three remain faithfully at their posts: Jan Valkenborgh on drums, Peter Deckers on guitar and Bart Palmers on keys. That it all sounds a bit rawer, with many echoes of the '90s. That it's about speech medolles, coriander from den Turk and women who love Cake. That it's still about love. Or the lack thereof. That Woody Allen actually has a lot in common with dad Valkenborgh.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFinally, Fixkes is back. About time, indeed.\u003c\/span\u003e","brand":"Fixkes","offers":[{"title":"CD","offer_id":30691221451,"sku":"EXCEL96390","price":8.0,"currency_code":"EUR","in_stock":true},{"title":"lp + cd","offer_id":39514227769539,"sku":"EXCEL96389","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1867\/5757\/products\/excel96390.jpg?v=1494424651"}],"url":"https:\/\/excelsior-recordings.com\/en\/collections\/excelsior-recordings.oembed?page=22","provider":"Excelsior Recordings","version":"1.0","type":"link"}