Queen's Pleasure - Shy Bairns Get Nowt
Queen's Pleasure - Shy Bairns Get Nowt
Queen's Pleasure - Shy Bairns Get Nowt
Queen's Pleasure

Queen's Pleasure - Shy Bairns Get Nowt

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Shy Bairns Get Nowt – Shy Kids Get Nothing

Frontman Jurre Otto found the sentence ' Shy Bairns Get Nowt ' while wandering through the city, chalked on a wall, in the middle of writing the second album of Queen's Pleasure. It resonated immediately. It also seems to be the case these days: if you don't shout, you won't be heard. In a world where polarization and algorithms determine the order of the day, there is rarely room for nuance. Fortunately, shouting along is no problem, the Amsterdam foursome has plenty to say. The members, now in their twenties, have been playing together since their teenage years. On the second album they passionately play and sing away everything that bothers them. Britrock is increasingly being infused with post-punk. The whole thing is given a punk energy, carried by the bass Jelmer van Os and the drums of Sal Rubinstein.

Recorded in the seclusion of Vlieland in the winter, the band dived into the deserted pop venue De Bolder. Here, under the watchful eye of producer Frans Hagenaar, they worked with undiminished energy on the “difficult second”. But there was no real difficulty in this case: The twelve songs on the album are bursting with ideas, from the creatively found drum and bass rhythms and the cutting riffs of guitarist Teun Putker to the chunks of text that Otto seems to spit bitingly into the microphone. Yet there is no excess to be found, production-wise there is a strong focus on the core, the instrumentation that is all captured on tape in one go. With a minimum of overdubs and embellishments, you always hear a band in their purest possible form here. It is therefore easy to predict what you can expect at a Queen's Pleasure concert: A live show that radiates urgency. and where you could watch each band member individually for an entire show.

The urge to get to the core is also strongly present in the lyrics. Wherever Otto looks he sees superficial facades and with his sharp tongue he pierces right through them. The irritatingly tough talk to impress ( Living A Lie ), the commercially exploited sexuality that you see in every commercial ( Playboy's On ), the misplaced pride that the Netherlands still seems to have in the VOC era ( My Eyes Adored You Too ). Otto himself is not immune to these idealized delusions. In Man In A Suit that idealized version of yourself even gets a physical form. That man in the expensive suit against whom you always have to measure yourself. On Monday Otto describes how the end of times is coming (of course on a Monday) but it is difficult to really care about it. Why would you if nothing ever changes? In this way Queen's Pleasure musically wanders through the city, that wonderful but unforgivable place where everything seems to happen. Every walk filled with memories of all the difficult events that have happened here before, but despite that you can't stay away. It's not an easy existence, but no matter what happens, Queen's Pleasure continues to search tirelessly for what is real.
Shy Bairns Get Nowt will be released on October 20th via Excelsior Recordings on CD, black and limited edition transparent vinyl.

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